Exhibition :\u00a0<\/span><\/strong><\/p>\n On a 14506 x 1080-pixel canvas, students will use the top view and the architectural conventions of movie\/game tools to go from top to bottom, Tracking, and panning shots to<\/span> In Blank_lab, we calibrate 8 different projectors with AI (Artificial Intelligent) software and camera to create a seamless sequence of images slowing filling the space to provide<\/span> Transient Episode \u00a0challenge current tropes of architectural production and its obsession with its processes as abjectness as a finite goal or ambition. It will dive into formal, temporal, and spatial compressions and expansions to investigate episodic occurrences in the formation of context less\u00a0ecologies. It will exploit the slippage that occurs as multiple divergent environments blend together. The Studio seeks to situate the designer's role as a curator who engenders relationships and behaviors of multiple realities <\/span>occurring simultaneously and layered.<\/span><\/p>\n use architectural conventions of plan and film\/gaming tools for top-down, trucking, and panning shots to design and represent their projects. We will look to Latin American Magical Realism as the <\/span><\/p>\n <\/p>\n Students: Aileen Lin , Diane Trepke, Reece Berry, Denon Hubbard, Hailey Scott, Will Maniet, Michael Conne, <\/em>Spencer Nichols, <\/em><\/p>\n \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Justin Byler, Ashley Austin, Caleb O’Bryan, Abdur Rahman Mohd, <\/span>Ethan Prodin, Roberta Pegg<\/em><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":" Fall 2021 Kent CAED Arch Prof. Ivan BernalExhibition :\u00a0 On a 14506 x 1080-pixel canvas, students will use the top view and the architectural conventions of movie\/game tools to go from top to bottom, Tracking, and panning shots torestrain, compose, design, and express their projects. Fixed lens attributes, directions, and movements are based on familiar […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-template-blank.php","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-2727","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P99zzR-HZ","jetpack_likes_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/ivanbernal.com\/index.php?rest_route=\/wp\/v2\/pages\/2727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ivanbernal.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ivanbernal.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ivanbernal.com\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ivanbernal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2727"}],"version-history":[{"count":9,"href":"https:\/\/ivanbernal.com\/index.php?rest_route=\/wp\/v2\/pages\/2727\/revisions"}],"predecessor-version":[{"id":3341,"href":"https:\/\/ivanbernal.com\/index.php?rest_route=\/wp\/v2\/pages\/2727\/revisions\/3341"}],"wp:attachment":[{"href":"https:\/\/ivanbernal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
restrain, compose, design, and express their projects. Fixed lens attributes, directions, and movements are based on familiar surveying and mapping techniques to discover and learn<\/span>
about new areas. Camera equipment will be deployed as a role in the ecosystem and an inspection tool to capture the degree of resolution change<\/span><\/p>\n
immersive experiences with layers of ambient sounds and animation.<\/span><\/p>[\/et_pb_text][et_pb_video src=”https:\/\/youtu.be\/n5bBZrLatYI” _builder_version=”4.11.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.11.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.11.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/ivanbernal.com\/wp-content\/uploads\/2022\/02\/570A1943-scaled.jpg” title_text=”570A1943″ _builder_version=”4.11.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”https:\/\/ivanbernal.com\/wp-content\/uploads\/2022\/02\/570A1989-1-scaled.jpg” title_text=”570A1989 (1)” _builder_version=”4.11.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.11.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/ivanbernal.com\/wp-content\/uploads\/2022\/02\/570A1952-scaled.jpg” title_text=”570A1952″ _builder_version=”4.11.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”https:\/\/ivanbernal.com\/wp-content\/uploads\/2022\/02\/570A1893-1-scaled.jpg” title_text=”570A1893 (1)” _builder_version=”4.11.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.14.7″ text_font=”Arial||on||||||” global_colors_info=”{}”]
framework to produce uncanny ecologies by exploring the liminal spaces we occupy as we return to our daily routines. These transient episodes will move from landscapes to urban settings to buildings to rooms stitching together multiple narratives into a single panning shot.<\/span><\/p>\n